Amplifiers

JJ 6L6GC Burned In Vacuum Tube, Matched Quad Review

JJ 6L6GC Burned In Vacuum Tube, Matched Quad Feature

• High Quality 6L6 Replacement
• Burned In For Maximum Stability And Performance
• Works Well In Any Application
• Superior JJ Quality

JJ 6L6GC Burned In Vacuum Tube, Matched Quad Overview

JJ Tubes are known for known for their high quality, durability, and their excellence in tone. Formerly produced by Tesla, JJ tubes are still made to exacting standards. They work well in all applications.

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Marathon DJ-5000 DJ Series Amplifier 700@8 Ohms – 1400@4 Ohms – Up To 5000@8Ohm BrIDge Review

I am REALLY impressed by this amplifier. We put this amp to the test for a 3 hour dance, pushing it really hard, and at the end of the dance, the fans were still pushing out cool air and the case wasn’t the least bit warm. The power was plenty adequate and for the price, it’s an amazing deal. Granted the plugs in the back are banana jacks but finding the proper wires is not a challenge. The only time you hear the fans is when no music is playing. This amp comes with the ears to mount it in a rack unit but it also comes with four rubber legs on the underside so it can sit on a table top as well. Set up is incredibly simple and fast. I would highly recommend this amp, but it if was my choice to buy another amp, I would buy the Marathon DJ-6000 for a few more dollars. It would really be worth it.

Marathon DJ-5000 DJ Series Amplifier 700@8 Ohms – 1400@4 Ohms – Up To 5000@8Ohm BrIDge Feature

• Input Impedance Balance: 20K ohms
• Non-Balance 10K ohms
• Frequency Response: +0, -0.2 dB, 20Hz to 20KHz / Frequency: 50/60 Hz
• Input Level +4dB / Input Voltage: 115/230V AC
• Dimensions: 19″ W x 15″ D x 4.25″ H / Weight: 16 lbs.

Marathon DJ-5000 DJ Series Amplifier 700@8 Ohms – 1400@4 Ohms – Up To 5000@8Ohm BrIDge Overview

Marathon DJ-5000. Great for professional DJ & entertainers who demands power on a limited budget. Every DJ Series amplifier provides excellent performance for all the speakers. Reliable features such as Input Gain, Ground Lift Switch to eliminate hum, Power LEDs, Channel 1 & 2 level, LED’s indicator, Stereo, parallel mono and bridge modes, Clip indicator and each DJ Series amplifier also comes with dual speed DC fan for efficient cooling and prevents overheating. Power Handling: 2 x 700 Watts @ 8 Ohms / 2 x 1400 Watts @ 4 Ohms / Up to 5000 Watts @ 8 Ohms Bridge. Features: Input Gain (dB), Power LEDs, Signal Activity LEDs (Signal), Overload LEDs (Clip), Fault LEDs (Fault), Power Switch, Channel 1 & 2 Level LED Indicator, Cannon and Input Jack Connector, Mode Switch, Ground Lift Switch, Binding Post Outputs, Power Select 110V-120V or 220V-240V Power Supply, Power Input IEC Power AC, Fan Grill Two 2 Speed DC Fans.

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A collection of the best Rock / Metal Artists, Mesa Boogie amplifiers have used live or in studio.

10th Killswitch Engage – guitarist Joel Stroetzel has used various Mesa Boogie amplifiers, including dual and triple rectifiers, and Stiletto series amplifiers. Patrick Lachman, singer and rhythm guitarist and touring regularly with his Triple Rectifier.

Ninth Mastodon – Mastodon bassist Troy Sanders is known to use Mesa Big Block 750 Bass headMesa Boogie, and cabinets.

8th Coheed and Cambria – Claudio and Travis both use Mesa Boogie Stiletto and the Dual and Triple Rectifier.

Seventh As I Lay Dying – Phil Sgrosso is known for Mesa Boogie with various containers.

Sixth Thrice – Although three times recently with the Marshall JCM series amps, their choice was timely on the Mesa Boogie Dual Rectifier.

Fifth Korn – The Triple Rectifier used both liveHead and study of artists and Munky.

Fourth Sepultura – Andreas Kisser singer uses a preamplifier and a strategy Triaxis 500 Power Amp

Third Tool – guitarist Adam Jones already belongs to a Dual Rectifier in everyday situations.

According to Alice in Chains – Jerry Cantrell was known to use a Dual Rectifier on occasion.

Before Metallica – singer-guitarist James Hetfield is known that different usage patternsThe line of Mesa Boogie, particularly with his use of amps Mesa Boogie Mark series. Guitarist Kirk Hammett used Marshall amps soon, but gradually the use of the Mesa Boogie Mark series as well.

Although not responsible for the careers of these artists', Mesa Boogie amplifiers have certainly helped to bring their musical voice over the years.

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Jet City Amplification JCA20H 20 Watt Guitar Tube Amplifier Head Review

Jet City Amplification JCA20H 20 Watt Guitar Tube Amplifier Head Feature

• Controls: Preamp, Bass, Middle, Treble, Master, Presence
• Tubes: 3x 12AX7 Preamp / 2x EL84 Power
• Rectifier: Solid State
• Cabinetry: Multi-ply, void-free hardwood
• Chassis: 16 gauge, cold-rolled steel

Jet City Amplification JCA20H 20 Watt Guitar Tube Amplifier Head Overview

20W All Tube Head by Soldano. Pure, simple, and full of tube tone, JCA20H delivers from a single-channel amp with absolutely no gimmick features to dilute the all-tube signal path. Elegance of design both inside and out deliver unflinching reliability in an amp good-looking enough to make a girlfriend jealous. With full EQ control and separate Preamp and Master volumes, JCA20H can deliver spanky cleans through crunchy overdrive.

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Once you have learnt some chord progressions and riffs and you are beginning to sound like a guitar player it will be time to start getting yourself your own individual sound. These days guitar players can add effects to their playing in many ways. It used to be necessary to connect to an amplifier but now their are guitar plug ins and software to give you all kinds of effects. You can apply distortion, sustain, wah-wah, chorus, flanger, reverb, delay effects and listen to the results in your headphones without disturbing your family or neighbors. All you need is a sound card.

The effects software that many guitarists think is the top of the range is Native Instruments Guitar Rig 3. It is expensive but good. It provides guitar and bass effects by modeling many popular amplifiers, cabinets, microphones, and effect pedals. It has twelve guitar and bass amps, and a matched cabinet module gives you real classic sounds. The Guitar Rig software has faithfully modelled stomp boxes, distortion and volume pedals, eighteen guitar and six bass cabinets, four rotary speakers and nine microphones – all based on popular vintage gear. A great feature of this effects software is the drag and drop interface for mixing your sound. Just choose an amplifier from classic Fender, Marshall, and Mesa Boogie amps, select the size of your cabinet and play around with the forty-four effects.

The Line 6 Pocket Pod Guitar Multi Effects Processor has over three hundred onboard/portable tones and over 3000 presets. Battery-powered and about the size of a tuner, Pocket POD is a portable guitar effects solution. You can use it for effects in front of your amp, or just plug in headphones and practice.

Guitar FX 3 is a cool software that has not been updated for years but it is good and it is free. Just do not expect it to work if you are using Vista and you should make sure you have plenty of RAM. To get started you just plug your guitar into the microphone or line in. It offers a big range of presets plus you can the tabbed menus to create custom tones which can be saved as presets. You can apply distortion, wah-wah, noise gate, compressor, flanger, reverb, chorus, delay and some of other filters.

Another free effects program is Audacity. Audacity is a free, user-friendly audio editor and recorder for Windows, Mac OS X, GNU/Linux and other operating systems. With Audacity you can record live audio, convert tapes and records into digital recordings or CDs, edit Ogg Vorbis, MP3, WAV or AIFF sound files, cut, copy, splice or mix sounds together. You can record from a microphone, line input, or other sources and create multi-track recordings. You can change the pitch of your music without altering the tempo, or vice-versa plus Audacity lets you remove static, hiss, hum, or other background noises. The guitarist can alter frequencies with Equalization, FFT Filter, and Bass Boost effects. Other built-in effects include echo, phaser, wah-wah and reverse.

Just so you are not left looking for the guitar effects software using redundant URLs I have left it to you to search using the product names. Some of the software that you need to pay for is available on a trial basis or you might find it for less money on ebay.

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Behringer Ultra Compact Headphone Amplifier Review

Odd as it sounds, I actually picked this up for use with Rock Band 2 (etc.) as it has 8(!) headphone outputs over four independent channels, everyone can hook in their own favorite headphones to play and not disturb others in the room (much) or improve their playing (turn up the instrument track and the rest down a bit, really helps with drum beats).

A few potential caveats/less than ideal features:
- Sound quality is a bit less than audiophile, but not much – more than good enough for everything but serious music listening.
- ALL inputs/outputs are 1/4″ stereo (yeah, the big kind) so most people will need adapters to plug in headphones, and you’ll need dual 1/4″ to RCA cables (see “DJ cables”) to connect to a TV.
- It may just be my TV, but I had to crank the input gain nearly to the max to get a good audio level. (Still more than enough volume and quality does not seem to suffer.)

Overall it works as advertised, despite being small and lightweight (in audio, generally the heavier the better). I’m very pleased with it.

Behringer Ultra Compact Headphone Amplifier Feature

• Ultra-compact 9.5″ headphone amplifier system for studio and stage applications
• 4 totally independent stereo high-power amplifier sections
• Highest sonic quality with virtually all types of headphones even at maximum volume
• Phones Level control plus accurate 6-digit LED output meter per channel for easy level monitoring
• 2 balanced stereo main inputs with independent Level and Balance controls for individual mixes, selectable for all 4 headphone amplifiers

Behringer Ultra Compact Headphone Amplifier Overview

Ultra-Compact 4-Channel Stereo Headphone Amplifier

Behringer Ultra Compact Headphone Amplifier Specifications

If you’re tracking more than one musician at a time, or if everyone in a group wants to listen to a playback, you need a monitor distribution system. The compact, flexible AMP800 can power up to eight pairs of headphones and up to two different stereo mixes.

Altogether Now

Two balanced stereo main inputs and link output.

Independent Level and Balance controls.

The AMP800 features four totally independent stereo high-power amplifier sections, each with dual outputs. You can use the phones level control plus the accurate 6-digit LED output meter per channel for easy level monitoring. There are two balanced stereo main inputs with independent Level and Balance controls for individual mixes, selectable for all four headphone amplifiers.

If you must accommodate more than eight listeners, a parallel Link Output enables cascading of several AMP800s.

Built to Last
Long-term reliability is guaranteed thanks to high-quality potentiometers and illuminated switches, and Behringer’s ultra low-noise audio operational amplifiers provide outstanding sound performance. In addition, all Mini Series models can be stacked to create an ultra-compact signal processing solution.

What’s in the Box
Behringer Ultra Compact Headphone Amplifier, Power Supply, User’s Manual

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Looking for a new pair of headphones and overwhelmed by the flood of models of regular and Bluetooth and wireless headphones? I will give an overview of today’s models to help you pick the pair of headphones that is right for you.

Headphones are available in many different styles. In terms of design, the smallest type headphones are in-ear headphones which are plugged into the ear, some of these have a bracket that wraps around the ear. These in-ear headphones are often bundled with iPods and other MP3 players and can easily be placed in a pocket. The next size up are lightweight headphones that sit on the ear and are connected by an elastic frame. This headpiece either sits on top of the head or wraps around the neck. These two types of headphones are typically the least expensive and you should consider them if you are on a budget. Some in-ear models are specially designed to absorb exterior noise.

If you are able to spend more, you could look at medium-end headphones which are larger than these very small type headphones. Each earpiece has an ear cushion that depending on the model either sits on top of your ears or wraps around your ears. Many people prefer the second type since there is no pressure on the ears. If you feel you would like to go with this type of headphones, you will then need to decide whether to go with an open, semi-open or closed design. An open design means that the audio can penetrate from the transducer to the outside and also cross-couple into the other earpiece. Some people think that an open design will sound light and more natural. A closed design on the other hand will not allow the audio to escape and also block exterior noise.

Most of today’s headphones are so-called dynamic headphones. Dynamic refers to the type of transducer that is used. Another type are static headphones. Static headphones are fairly expensive and require special headphone amplifiers.

Another option to consider when choosing headphones are wireless headphones. Wireless headphones cut the headphone cord and afford total freedom of movement. One type of wireless headphones are Bluetooth headphones. These headphones can be used with cell phones and other Bluetooth-enabled devices. These headphones are typically fairly small but do not offer the same sort of audio quality as medium to high-end headphones.

Other wireless headphones include FM type models which normally work at 900 MHz and digital wireless headphones which work at 2.4 GHz or 5.8 GHz. FM type models are the least expensive option of wireless headphones. The main drawback of FM headphones is a noticeable hissing, audio distortion and fairly high susceptibility to interference which I caused by the transmission.

Digital models will encode the audio into data prior to transmission which makes these models the best choice in terms of sound quality and robustness against interference. Models which use the less crowded 5.8 GHz frequency band offer the lowest amount of problems with radio-frequency interference from competing devices.

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ToadWorks Roundabout Turbo Reversible Looper Effect Pedal Review

ToadWorks Roundabout Turbo Reversible Looper Effect Pedal Feature

• Reversible series loops
• True-Bypass
• Anti-POP circuitry
• Rugged die-cast construction for years of use
• Made in the U.S.A.

ToadWorks Roundabout Turbo Reversible Looper Effect Pedal Overview

Roundabout Turbo is the next step forward in passive looper design. Similar to the standard Roundabout, the Turbo version is a True-Bypass mechanical switching device designed for both effect and amp switching. In addition to it’s functions as a True-Bypass box, as an effect loop switcher, or as an amp/guitar switcher (without the annoying “pop”!), Roundabout Turbo provides the ability to re-route signal path on the fly, effectively reversing the series order of the loops. There is no active circuitry in this device, the battery only powers the LEDs. The concept is simple – Roundabout Turbo re-routes your instrument signal through one of two signal loops. The two loops are connected in series, meaning that the signal is passed from the input jack to one of the send jacks, and that loop’s return jack is connected to the other send jack. Unlike other passive series signal loopers, you can reverse the order of the loop series. You can also use Roundabout Turbo as a True-Bypass box by putting one or more FET-switched effects in the loops, and turn the effect(s) off via the two loop switches. In addition to switching the loops on & off, Roundabout Turbo can be used as an amp and/or instrument switcher. Simply connect each Send jack to different amplifier inputs, and you can safely and quietly switch between two different amplifiers. And just because we like you, Roundabout will not “POP” when switching between two different amplifiers. You can even connect each Send jack to different inputs on the same amplifier!

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Eden D212XLT8 David Series XLT Bass Cabinet Review

Eden D212XLT8 David Series XLT Bass Cabinet Overview

Bass Amplifier Cabinet. Made by Eden.

The 2-12 plus tweeter design of this enclosure is perfect for the player who needs to cover a wide variety of playing situations. The exclusive twin EC-1260F Cast Frame woofers and E-2700 Cast Bell tweeter deliver a low-end response similar to a 15″, but with the speed and smoothness of a 10″ in the upper registers.

Features

-Size 23″W x 27.5″H x 18.5″D
-Weight 74 lbs.
-Power/imp. 400 Watts RMS – 8 Ohm
-Speakers 2-EC 1260F Cast Frame & 1-E2700 Cast Bell Horn
-Crossover 18DB/Octave Auto-Comp.
-Sensitivity 103DB SPL @ 1w 1m
-Frequency Response 44 hz to 14 Khz +/- 2db

Eden D212XLT8 David Series XLT Bass Cabinet Specifications

The 2 x 12″ plus tweeter design of this enclosure is perfect for the player who needs to cover a wide variety of playing situations. The exclusive twin EC-1260F woofers and E-2700 Cast Bell tweeter deliver a low-end response similar to a 15″, but with the speed and smoothness of a 10″ in the upper registers. Great for finger style players.

• SPEAKERS: EC-1260F x 2
• TWEETER: E-2700 Cast Bell
• CROSSOVER: 3.5kHz @18db
• POWER HANDLING: 400W RMS
• FREQ. RESPONSE: 40hz – 14khz ±2dB
• SENSITIVITY: 103dB SPL@1W1M
• IMPEDANCE: 4? or 8?
• DIMENSIONS: 23″w x 27.5″h x 18.5″d
• WEIGHT: 74 LBS

The David Eden Bass Guitar Enclosures are carefully engineered and hand crafted to give you years of trouble free world class performance even under the most strenuous performance conditions. At Eden, we approach speaker design from a different direction than most companies. Given our long history and wide industry background, we look at speaker systems as a logical extension of the player and instrument . We design and voice each enclosure to enhance certain traits just as a fine instrument is crafted. After you have spent your time and money finding the perfect bass you will want an amplifier and speaker system capable of doing it justice. Eden is the only bass guitar amplifier company that actually hand builds our own speaker and tweeters. This allows us to control the sound and production quality of our own products very carefully, ensuring that you get the very best bass guitar products possible.

We use AA furniture grade plywood, all Dado and Rabbet construction with the massive internal bracing required to really produce the low bass note properly. The porting is optimized for high level performance and the boxes are tuned to maximize sound quality and performance. The enclosures are all designed to reproduce the true sound of your bass with the proper character and clarity. Nothing sounds like an Eden.

Based on your playing style and venue requirements, we have a system to match your taste and budget needs.

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PDA batteries like all batteries have electrical specifications that include its volt and milliAmp hour rating. These terms are abbreviated as we see in the following example: 3.7 V, 1600 mAh.

What do these terms mean, and why should you care about the specifications of pda batteries?

Volts or V are an electrical measure of energy potential. You can think of it as the pressure being exerted by all the electrons of a PDA Battery’s negative terminal as they try to move to the positive terminal.

Amps or A is an abbreviation of Ampere, a 19th century French scientist who was a pioneer in electricity research. Amps measure the volume of electrons passing through a wire in a one second. One Amp equals 6.25 x 1018 electrons per second.

Amp hours or Ah measures capacity. That is ultimately what we want to know about PDA Batteries from a consumers point of view. Amp hours quantify how long a pda battery can deliver a certain amount of charge before it runs out. As with all metric measurements, Amps can be divided into smaller (or larger) units by adding a prefix.

In the case of PDA Batteries, a milliAmp hour (mAh) is most commonly used. Note that 1000 mAh is the same a 1 Ah. (Just as 1000mm equals 1 meter.) Note that Amp hours do not dictate the flow of electrons at any given moment. PDA batteries with a 1 Amp hour rating could deliver ½ Amp of current for 2 hours, or they could provide 2 Amps of current for ½ hour.

Typically, PDA Batteries will use 1 to 3 Amps per hour, depending on the model’s processor speed, screen size, screen brightness adjustment, usage, and other factors.

Keep in mind that slight variations in voltage generally do not impact the performance of your PDA. We see this all the time with universal and external batteries. The original battery might be specified at 10.8 Volts, but customers using a universal part can operate their laptop safely at either the 10 or 11 Volt setting.

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